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Frog, the titular loveable savage of Heroic Age, Ryosuke Takahashi in Initial D, Lawrence Kraft in Spice and Wolf, Zarbon in Dragon Ball Z Kai, and Scar in Full Metal Alchemist: Brotherhood. Other characters the man still can’t believe he’s had the crazy good fortune to play include Doumeki in XXXHolic, Jiro Mochizuki in Black Blood Brothers, Isaac Dian in Baccano!, both God Eneru and Dalton in One Piece, Komui Lee in D-Gray Man, Dororo in Sgt. They were allowed to just be, and that’s something that’s stuck with me for a while. That’s not to say they didn’t go through hardships, but their struggles had little to do with being “the gay one” and had everything to do with “you’re a soldier of love and justice and the world is ending.” Well, honestly? That wasn’t all that surprising, either, but what did stick with me was the fact that Sailor Moon, and other anime, had portrayals of queer characters who weren’t just side characters, who weren’t constantly bullied for being gay, who were seen as assets to the team, and whose story didn’t end in tragedy. Missing out on the violence or Goku going to hell and not the Home For Infinite Losers wasn’t all that surprising, but the stuff that got removed out of Sailor Moon and how queer it was? While there, one of the employees took my hand (figuratively) and opened my eyes to everything that was being edited out of the stories I’d watch weekday afternoons.
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When I was a teenager in the nineties, I frequented the local Suncoast quite often, using my paychecks to build my anime VHS collection until the entire Dragon Ball Z cast had their faces lined up on the side of the box.